River Phoenix
5 Films
River Phoenix
5 Included Films
River Jude Phoenix (née Bottom; August 23, 1970 – October 31, 1993) was an American actor, musician, and activist. Phoenix grew up in an itinerant family, as the oldest brother of Rain Phoenix, Joaquin Phoenix, Liberty Phoenix, and Summer Phoenix. He had no formal schooling, but he showed an instinctive talent for the guitar, and he played and sang on the streets for money. He began his acting career at age 10 in a handful of television commercials. He starred in the science fiction adventure film Explorers (1985) and had his breakthrough role in 1986's Stand by Me, a coming-of-age film based on the novella The Body by Stephen King. Phoenix made a transition into more adult-oriented roles with Running on Empty (1988), playing Danny Pope, the son of fugitive parents in a well-received performance that earned him a nomination for an Academy Award for Best Supporting Actor (at age 18, he became the sixth-youngest nominee in the category), and My Own Private Idaho (1991), playing Michael Waters, a gay hustler in search of his estranged mother. For his performance in the latter, Phoenix garnered enormous praise and won a Volpi Cup for Best Actor at the 1991 Venice Film Festival as well as Independent Spirit Award for Best Male Lead and National Society of Film Critics Award for Best Actor, becoming the second-youngest winner of the former. Phoenix fought heroin addiction and died at age 23 from combined drug intoxication in West Hollywood in the early hours of Halloween, 1993, after unknowingly ingesting cocaine and heroin (a mixture commonly known as a speedball) at The Viper Room.
Director: Rob Reiner
Sony 2023 Steelbook 4K Blu-ray
Sony 2023 Steelbook 4K Blu-ray added Dolby Vision and more extras
The DVD has an isolated score track
Director: Rob Reiner
Sony 2023 Steelbook 4K Blu-ray
Sony 2023 Steelbook 4K Blu-ray added Dolby Vision and more extras
The DVD has an isolated score track
Director: Sidney Lumet
Director: Sidney Lumet
Paramount 4K Blu-ray heavily revisionist. Purist option: 35mm scan, Blu-ray, DVD or LaserDisc
The Paramount 4K master is HEAVILY revisionist in that all of the effects and opticals were redone and tweaked with errors and issues. There has been grain management (moments of stagnating grain and haloing) and the encoding isn't great hence the typical Paramount noise in the image. (especially skies) The HDR is a bit bright in the highlights. The Blu-ray is showing its age but does not have any of these digital alterations. It is from the scan done by Laser Pacific and is the highest quality unaltered master we have. The DVD was done by Lowry Digital and had much scrubbing and processing of grain in addition to edge enhancement. The letterbox LaserDisc was the first widescreen release and is very good for its time. There was also a rare SVHS release using the letterbox LaserDisc master.
The 4K Blu-ray audio is seemingly an Atmos remix of the 5.1 found on the Blu-ray which itself is very similar to the DVD 5.1. All are presumably based on the 70mm Dolby six track mix. The Atmos is more processed and moves the sound around more so it is inferior to the older 5.1 iterations. On release, Last Crusade had Dolby 70mm with stereo surrounds, Dolby Stereo SR for 35mm and was mixed in a THX sound theater to ensure the ultimate in technical quality in 1989. The DVD was supposedly made from the 70mm mix and the Blu-ray 5.1 seems to bring that into lossless. This is unconfirmed but each seems to be a healthy and accurate version of the original audio. However, the LaserDisc despite only having matrix PCM stereo is punchier and livelier as a listening experience. Despite not being discrete it arguably sounds better than the 5.1 versions. Some who remember seeing each of the original release versions claim to remember the 35mm Dolby DR as sounding better than the 70mm Dolby. This is a case where both sound great and it's up to fans to decide which they prefer. Both are essential for any Indy collection and the LaserDisc is very cheap. The VHS hifi seems to be the same 2.0 matrix with format differences so it can also be compared against the DVD and Blu-ray 5.1 versions.
DFIC extensive review: https://youtu.be/evsrJOTIjdA?si=wtdWGxZBfhPYTIeW
Paramount 4K Blu-ray heavily revisionist. Purist option: 35mm scan, Blu-ray, DVD or LaserDisc
The Paramount 4K master is HEAVILY revisionist in that all of the effects and opticals were redone and tweaked with errors and issues. There has been grain management (moments of stagnating grain and haloing) and the encoding isn't great hence the typical Paramount noise in the image. (especially skies) The HDR is a bit bright in the highlights. The Blu-ray is showing its age but does not have any of these digital alterations. It is from the scan done by Laser Pacific and is the highest quality unaltered master we have. The DVD was done by Lowry Digital and had much scrubbing and processing of grain in addition to edge enhancement. The letterbox LaserDisc was the first widescreen release and is very good for its time. There was also a rare SVHS release using the letterbox LaserDisc master.
The 4K Blu-ray audio is seemingly an Atmos remix of the 5.1 found on the Blu-ray which itself is very similar to the DVD 5.1. All are presumably based on the 70mm Dolby six track mix. The Atmos is more processed and moves the sound around more so it is inferior to the older 5.1 iterations. On release, Last Crusade had Dolby 70mm with stereo surrounds, Dolby Stereo SR for 35mm and was mixed in a THX sound theater to ensure the ultimate in technical quality in 1989. The DVD was supposedly made from the 70mm mix and the Blu-ray 5.1 seems to bring that into lossless. This is unconfirmed but each seems to be a healthy and accurate version of the original audio. However, the LaserDisc despite only having matrix PCM stereo is punchier and livelier as a listening experience. Despite not being discrete it arguably sounds better than the 5.1 versions. Some who remember seeing each of the original release versions claim to remember the 35mm Dolby DR as sounding better than the 70mm Dolby. This is a case where both sound great and it's up to fans to decide which they prefer. Both are essential for any Indy collection and the LaserDisc is very cheap. The VHS hifi seems to be the same 2.0 matrix with format differences so it can also be compared against the DVD and Blu-ray 5.1 versions.
DFIC extensive review: https://youtu.be/evsrJOTIjdA?si=wtdWGxZBfhPYTIeW
Director: Phil Alden Robinson
Closest to original: 1993 MCA Laserdisc or other laserdiscs probably
DVD is about the same also. Blu-rays only have upmixes (and the 2.0 track from Kino Lorber is a downmix)
Director: Phil Alden Robinson
Closest to original: 1993 MCA Laserdisc or other laserdiscs probably
DVD is about the same also. Blu-rays only have upmixes (and the 2.0 track from Kino Lorber is a downmix)
5 films